enapa : Ja, det var visst III-serien programmet fungerade till. Dock måste väl de gamla klassiska ljuden kunna användas i III-serien också, tycker man? Så på den vägen kan man nog få överfört dom. Ja, hör gärna med dom om samplingarna.
Låter lite knepigt det där med sampleraten och filterjustering. Verkar som att man kan använda det i experimentellt syfte. Vad jag har läst kan man följdaktligen påverka filterna via sequencern på IIx-serien. Citerar friskt från Holmes Page :
"The first Fairlight (dubbed the Series I) had relatively poor voice cards, sometimes described as "scratchy", with a maximum sampling rate of 24kHz. The Fairlight Series II (circa 1982) improved on the sound and the software, including Page R which was so revolutionary that it was often the reason people bought a Fairlight. The Fairlight Series IIx (circa 1983) added MIDI support. The Fairlight Series III was introduced in 1985 with support for 16-bit CD-quality stereo sound, and was generally a new machine (or perhaps more accurately it was a re-working of the original idea)."
"The Fairlight has no built-in audio processing, other than a simple low-pass filter on each audio card which is used to mask the aliasing noise which is typical of 8-bit samples. The filter value (which ranges from 0 to 15) is saved with the Page 7 control settings for each sound. (The IIx software increases the filter range and allows it to be controlled dynamically by key velocity or by another controller.) Other control settings include key velocity, damping, attack, vibrato, portamento, and glissando."
Att det kan vara så spännande med samplers.
